Ferran terraza biography of michael

[Rec] (2007, Jaume Balaguero, Paco Plaza) is Spain’s latest entry into the by now bulging sub-genre of reality horror, which includes the antecedent grand-daddy Cannibal Holocaust (Ruggero Deodato, 1980), its modern classic equivalent Blair Witch Project (Daniel Myrick, Eduardo Sánchez, 1999), and its kissing cousin The Last Broadcast (Stefan Avalos, Lance Weiler, 1998), and an impressive range of a by no means exhaustive list of styles/subjects which include serial killer/stalker films (Alone With Her, Eric Nicholas, 2006, The Last Horror Movie, Julian Richards, 2003, A Film by Carroll McKane, Gary Sherman, 2006), urban myths (Blair Witch Project, The Last Broadcast, Five Across the Eyes, Greg Swinson, Ryan Thiessen, 2006, The Poughkeepsie Tapes, John Erick Dowdle, 2007), ghost tales (Paranormal Activity, Oren Peli, 2007), family horror (Home Movie, Christopher Denham, 2008), torture porn (Fred Vogel’s August Underground series), survivalist horror (Slashers, Maurice Deveraux, 2001), classic zombie mayhem (Dairy of the Dead, George Romero, 2007, The Zombie Diaries, Michael Bartlett, Kevin Gatesy, 2006) and pseudo zombie (people that are not dead but rabid) films (28 Days, Danny Boyle, 2000, 28 Days Later, Danny Boyle, 2002, Rec and its US remake Quarantine, John Erick Dowdle, 2008), mockumentary (Man Bites Dog, Rémy Belvaux, André Bonzel, 1992, The Last Broadcast, Blair Witch Project, S&Man, J.T. Petty, 2006, Behind the Mask: The Rise of Leslie Vernon, Scott Glosserman, 2006), and classic big monster movies (Cloverfield, Matt Reeves, 2008).

[Rec] is an effective reality horror entry which plays with all the usual reality horror subgenre conventions —the camera must always be on, except for odd black frames, camera-on-floor POV, night vision lighting, wildly moving hand-held shots, running point of view shots, etc.—, [1] with an added narrative twist which recal

  • Rec where to watch

    • Rec (film)

    2007 film by Jaume Balagueró and Paco Plaza

    Rec

    Theatrical release poster

    Directed by
    Written by
    Produced by
    • Alison Veragauz
    • Will Fisher
    • Katherine Jackman
    • Steven Croll
    Starring
    • Manuela Velasco
    • Ferrán Terraza
    • Jorge-Yamam Serrano
    • Pablo Rosso
    • David Vert
    • Vicente Gil
    • Martha Carbonell
    • Carlos Vicente
    CinematographyTom Doyle
    Edited byDavid Goldman

    Production
    company

    Focus Features

    Croll Pictures

    Blumhouse Productions
    Distributed byUniversal

    Release date

    • 23 November 2007 (2007-11-23)

    Running time

    		78 minutes
    CountrySpain
    LanguageSpanish
    Budget$2 million
    Box office$32.5 million

    Rec (stylized as [•REC]; short for "record") is a 2007 Spanish found footagezombie film co-written and directed by Jaume Balagueró and Paco Plaza. The film stars Manuela Velasco as a reporter who, with her cameraman, accompany a group of firefighters on an emergency call to an apartment building to discover an infection spreading inside, with the building being sealed up and all occupants ordered to follow a strict quarantine.

    Rec was released on 23 November 2007 to critical and commercial success, and is considered one of the best films in both the found footage genres and the horror genre.Rec placed at number 60 on Time Out's list of the Top 100 Best Horror Films.

    The film spawned the Rec film series, which includes three sequels: Rec 2 directed by Balagueró and Plaza in 2009, Rec 3: Genesis directed by Plaza in 2012, and Rec 4: Apocalypse directed by Balagueró in 2014 as the final installment in the franchise. An American remake, Quarantine, was released in 2008, and got its own sequel, Quarantine 2: Terminal, in 2011.

    Plot

    Reporter Ángela Vidal and her cameraman Pablo are covering the night s

    Taking Horror as You Find It: From Found Manuscripts to Found Footage Aesthetics

    Authors

    DOI:

    https://doi.org/10.18778/2083-2931.10.14

    Keywords:

    found manuscript, found footage horror, Gothic fiction, intersemiotic translation

    Abstract

    An authenticator of the story and a well-tested enhancer of immersion, the trope of the found manuscript has been a persistent presence in Gothic writing since the birth of the genre. The narrative frame offered by purported textual artifacts has always aligned well with the genre’s preoccupation with questions of literary integrity, veracity, authorial originality, ontological anxiety and agency. However, for some time now the application of the found manuscript convention to Gothic fiction has been reduced to a mere token of the genre, failing to gain impact or credibility. A revival of the convention appears to have taken place with the remediation and appropriation of the principally literary trope by the language of film, more specifically, the found footage horror subgenre.

    The article wishes to survey the common modes and purposes of the found manuscript device (by referring mostly to works of classical Gothic literature, such as The Castle of Otranto, Dracula and Frankenstein) to further utilize Dirk Delabastita’s theories on intersemiotic translation and investigate the gains and losses coming with transfiguring the device into the visual form. Found footage horrors have remained both exceptionally popular with audiences and successful at prolonging the convention by inventing a number of strategies related to performing authenticity. The three films considered for analysis, The Blair Witch Project (1999), Paranormal Activity (2007) and REC (2007), exhibit clear literary provenance, yet they also enhance purporting credibility respectively by rendering visual rawness, appealing to voyeuristic ta

    Five Isolation Themed Horror Movies to Stream This Week

    Classic horror entries like The Thing, Alien, and even The Shiningwield isolation as a weapon, trapping their protagonists in place and leaving them perilously vulnerable to threats- inhuman or otherwise – to evoke chills. It’s a simple tool that horror frequently exploits for maximum discomfort, whether physically, psychologically, or even socially. No matter how filmmakers insulate their characters, it results in despair and loneliness for the characters and chilling unease for the viewer. This week’s streaming picks center around isolation-based horror movies.

    These titles showcase various forms of isolation, from remote settings to extreme quarantines, to leave you on the edge of your seat.

    Here’s where you can watch them this week.

    For more Stay Home, Watch Horror picks, click here.

    Hush– AMC+, Shudder, Shout TV

    Mike Flanaganmines palpable tension from isolation in his home invasion thriller. Kate Siegelstars as Maddie, a deaf and mute...

    See full article at bloody-disgusting.com

    25 Best Jump Scare Movies (& Where To Stream Them)

    The best jump scare movies are the ones that have little going on in the frame for most of the time, allowing the viewer to effectively scare themselves with the power of their imagination. But this doesn't mean that the art of the jump scare is beneath great filmmakers quite the opposite. The best jump scare movies demonstrate that horror masters throughout cinematic history have used the jump as a powerful tool to pull the audience deeper into their terrifying worlds, and while there are often cheap scares, the best ones are the scares that really take viewers by surprise.

    The best jump scare movies are the ones that don't feel cheap to the audience, building up each scenario carefully and methodically over long periods of time to earn the scare. Finding these horror movies on platforms like Netflixis not an easy task, as it requires the film t
      Ferran terraza biography of michael
  • Dawn of the dead
  • Rec (2007)