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Biff Review: ‘Train Driver’s Diary’ Has Bitingly Sardonic Wit and Authentic Melancholy
It’s a “I laugh so I don’t cry” type deal because the painful memories are
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Raindance reveals line-up; Stephen Fry, Joanna Lumley on jury
The 24th Raindance Film Festival has revealed its line-up, with 90 feature films set to be screened in London September 21 – October 2.
This year’s jury will be comprised of Stephen Fry(V For Vendetta), Joanna Lumley(Absolutely Fabulous), Imelda Staunton(Vera Drake), Jodie Whittaker(Broadchurch), Anna Friel(Pushing Daisies), Jack Davenport(Pirates Of The Caribbean), Nicholas Pinnock(Top Boy) and American artist David Datuna.
They will preside over awards for a competition line-up that features the international premiere of Stephen Elliott’s After Adderall, a semi-autobiographical story about the production of the film adaptation of Elliott’s memoirs. Receiving its European premiere will be Japanese director Yoshiyuki Kishi’s A Double Life, about a young woman who is assigned to follow a stranger.
Among the seven UK premieres p
Sgt. Pepper at 10 Highlights from the Beatles’ Newly Unearthed Session Outtakes
Stripped down, occasionally rough and always electrifying,
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Universal Music Agrees to Pay $ Million to Settle Digital Royalties Class Action
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See full article at The Hollywood Reporter - Movie News
Blu-ray, DVD, Digital HD Release: The November Man
Price: DVD $, Blu-ray $
Studio: 20th Century Fox Home Entertainment
Pierce Brosnan(The Thomas Crown Affair) stars in the action-filled spy thriller The November Man.
Those in the know may remember that Brosnan portrayed another spy earlier in his career…
Code named The November Man; Peter Devereaux (Brosnan) is a lethal and highly trained ex-cia agent who ha
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Film composer Marco Beltrami (b. ) is a two-time Academy Award nominee in the category Best Achievement in Music Written for Motion Pictures, Original Score, for “ to Yuma” () and “The Hurt Locker” (). Trained by veteran composer Jerry Goldsmith () at the USC Thornton School of Music in Los Angeles in the early s, Mr. Beltrami became one of his generations most productive film composers since he entered the film industry in
As his long list of credits indicates, he has worked frequently with film directors such as Guillermo del Toro, James Mangold, John Krasinski, and Wes Craven () for whom he scored seven films, including all four “Scream” movies. Throughout his career, the much sought-after and prolific composer-conductor scored numerous mainstream films in the horror and action genre, as well as independent films.
During the Film Fest Gent in Belgium, Mr. Beltrami was honored at the World Soundtrack Awards and was available for this roundtable interview.
Mr. Beltrami, you have scored a lot of films in many different genres and themes. Do you have a specific plan or philosophy regarding what your score should embody or contribute?
When I started out, I just wanted to work, and it turned out that I did many horror movies that I don’t like. I have never liked horror movies, and “Scream” [] was the first horror movie that I had ever seen. But I think, since then, I have mainly tried to be inspired in some way—either I watched the movie, and I have ideas for it, or I find the movie is inspiring in a way that I want to work on ideas because sometimes they don’t come right away. It can be like a puzzle. But I try to find something that will push myself a little bit, and not just do the same thing.
Scream (, trailer)
You studied with Jerry Goldsmith. What is the most valuable lesson that you learned from him?
I think Jerry was underrated as a composer. As composers, we all recognize his contributions, but for the public, he has always
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