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Caring Bridge Guestbook Archive
Monday, September 7, AM, EDT
Alan, Your Dad is in our tractor club and all of us have you and your family and your Dad and Mom in our thoughts and prayers.
Anything you need, tell your Dad and let us you read &#;90 Minutes in Heaven&#;, you will realize people love you and want to do &#;something. Just let them.
You are being blessed each day, but you are also a blessing to each of us by hearing your testimony.
God Bless Gene and Sue Ivey
Laurinburg, NC
Hi Alan, God is so good to all of us and I pray that he will wrap his loving and healing arms around you. your friend, Mary Bailey Mary Bailey
Alan,
As with so many others, I am truly awed by your gift with words in sharing your journey with us. It is amazing the gifts that come from some of the greatest challenges you face. I still remember how much you love a challenge so I have complete faith in God&#;s plan for you. We will continue to pray for you and your family to help lift you up. God Bless!
Paulette G Nulman PAULETTE NULMAN
Alan:
I look forward to your daily postings more than some of the columnists that I have been reading. You might want to think about writing for a living. I think you&#;d have a New York Times best-seller!
I think of you and Misty often. There are many times through the day when I get a prompting to pray for you. I do my best to respond to those promptings, and to lift you up to Him. I shared your story today with the usher team I volunteer with at church, and we took some time to pray for you and your family.
May our Lord bless you this week with His healing, His presence, His strength and His peace.
In His Love,
Randy Randy Warner
What a better world we would live in if only we all had the attitude that you have. I pray that God will bless you and your family with abundant joy. Will co
Silencing polo: controversial music in post-socialist Poland
Although, with the turn in the discipline since the s, musicologists no longer assume their role to be that of arbiters of "good music", the instruction of Boethius-"Look to the highest of the heights of heaven"has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as "bad" has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix-polo, an expression that comes from disco polo, the first genre that came to prominence after socialism collapsed and is commonly associated with poor taste and a business-inspired aesthetic compromise. Combining methods used in ethnomusicology and musicology, my study is guided by the questions: How does music become "bad" and why? What does it tell us about ongoing cultural discourses and social cleavages in Polish society after the fall of socialism? The dissertation is structured around three case studies: (i) disco polo, (ii) Polish hip hop and hiphopolo, and (iii) application of the term sacropolo to music with religious content, with an emphasis on rubikopolo. They are followed by analysis of patterns and schemes of silencing (as defined by Thiesmeyer ) experienced by these musical phenomena in confrontation with the dominant discourse in contemporary Poland, exposing the double and disguised nature of such iii silencing. The study is preceded by analysis of the cultural policy of the socialist state, which has profound implications for the functioning of music in Poland after its fall and provides a platform f
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