Cachivache paloma pedrero biography

  • Paloma Pedrero (born 3 July 1957
  • Paloma Pedrero (1957) is probably one
  • The Life & Works of Paloma Pedrero

    Paloma Pedrero is considered to be one of the most important and innovative contemporary Spanish playwrights - a must read or see for anyone who wants to study Spanish ! She is also an actress and director, both in the world of theatre and television. Her works have been translated and published across the world, while within Spain she has won many prizes for her works.

    Paloma Pedrero - Life

    Paloma Pedrero was born in the Spanish capital of Madrid in 1957. At the age of 14, she began pursuing her career in acting, participating in some theatrical works at a boys' school. While she was carrying out her studies in Sociology at the University of Madrid, she also studied Dramatic Arts in workshops with both Spanish and international teachers like Zulema Katz, Dominic de Facio, John Strasberg, and Alberto Wainer.

    From 1978 to 1981, she co-wrote and interpreted theatrical works in the theatre company, 'Cachivache', mainly in the areas of children's plays and experimental theatre, in which they used realist language in order to appeal to a younger audience. During this transitional period in Spain, Pedrero urged her ex-husband, the playwright Fermín Cabal, to start writing social theatre, which later led to Paloma writing Imagen doble in 1984. The play was staged the following year, revised and under the name Besos de Lobo.

    In 1984, the one act play, La llamada de Lauren, ended up as a finalist for the Teatro Breve of Valladolid Prize. A year later, a much larger version of the play was staged in Madrid which was met with significant success. This led Paloma Pedrero to dedicate herself solely to writing and directing. In 1987, Pedrero won the Tirso de Molina Prize for her work Invierno de luna alegre.

    Throughout the 1980s and 1990s, Paloma Pedrero continued to write theatrical works, developing her style even further. She also founded and is currently the president of the non-profit organization 'Caidos d

  • Paloma Pedrero - Life. Paloma Pedrero
  • Paloma Pedrero: A Profile. Full Text.
  • Paloma Pedrero Díaz-Caneja

  • de Francisco, Itzíar. 2001. ‘Paloma Pedrero: "Algunos autores tenemos al poder en contra" ’, El Cultural, 5 November (in Spanish)

    Interview with Paloma Pedrero.

  • Galindo, Carlos. 1996. ‘Paloma Pedrero: "Si no existiera el amor, todo sería muerte, máquinas..." ’, ABC, 9 April (in Spanish)

    Interview with Paloma Pedrero.

  • Lamartina-Lens, Iride. 1991. ‘An Insight into the Theater of Paloma Pedrero’, Romance Languages Annual, 2, 465-8

  • Lamartina-Lens, Iride. 1993. ‘Paloma Pedrero’. In Spanish Women Writers: A Bio-Bibliographical Source Book, eds. Linda Gould Levine, Ellen Engelson Marson and Gloria Feiman Waldman, pp. 389-96. Westport, Greenwood Press

  • Murrieta, Pepe. 2004 ‘En Madrid, una Paloma’, October, http://www.cniae.cult.cu/PalomaP_entrevista.htm [accessed December 2009] (Online Publication) (in Spanish)

    Interview with Paloma Pedrero.

  • Zatlin, Phyllis. 2001. ‘From Night Games to Postmodern Satire. The Theater of Paloma Pedrero’, Hispania, 84.2, 193-204

  • Paloma Pedrero

    Spanish actress, theatre director and playwright

    Paloma Pedrero (born 3 July 1957 in Madrid) is a Spanish actress, theatre director and playwright.

    Life

    Spanish playwright Paloma Pedrero studied Sociology at Madrid's Universidad Complutense before becoming involved in the reestablishment of Madrid's theater scene following the death of Franco as a member of the Cachivache theater group. Her first play, La llamada de Lauren, in which she also played the role of Rosa, was staged in 1985.

    Since then she has written much more material, acted both on the stage and on television, and directed productions of her own works. She has also cultivated a prolific career as a conference speaker and essayist.

    Paloma Pedrero won the 1987 Premio Tirso de Molina for Invierno de luna alegre.

    Work

    Pedrero's plays are, for the most part, short quasi-comedies that explore questions of identity, the subversion of gender roles, and the nature of individualfreedom in postmodern society, based around a neorealist model.

    Her typical plot is structured simply (many works have only one scene) and the timeframe is seldom of any extended duration. The scenes dramatized are ones of daily life and the characters are reasonably familiar; they are, Pedrero writes in her monographSobre mi teatro, "historias que nacen de mi experiencia en algunos casos y de la observación en otros" ("stories that arise from my own experiences in some cases and from observation on others"). This succinct, extremely focused writing style and realistic treatment of plot structure are exemplified by the series of one-act plays that make up Noches de amor efímero; each dramatizes a brief nighttime encounter between a man and a woman as a result of which their lives are profoundly changed. The action takes place in real time over the course of the few minutes that each play takes to stage.

    Pedrero's settings are everyday locations, pred

    The Lisbon company, A Barraca, opens the TMJB’s theatre program with a text by Paloma Pedrero: From Mary to Mary, performed by Rita Lello, and directed by Maria do Céu Guerra.

    The show will be on display at TMJB on January 18th and 19th, Saturday, at 9 pm, and Sunday, at 4 pm.

    From Mary to Mary is a monologue created by Spanish actress, director and playwright Paloma Pedrero (b. 1957), which fictionalizes the last hours of Mary Wollstonecraft (1759-97), a woman of bold, even revolutionary conceptions (e.g. in the field of female emancipation), for her time, and mother of the famous writer Mary Shelley (1797-1851). Pedrero’s text starts from the circumstance that Mary (mother) died 11 days after the birth of Mary (daughter), as a result of complications that occurred during childbirth. From there, and from the biography and public (and published) convictions of the historical figure Mary Wollstonecraft, imagine a conversation (one-way), which could also be a letter, a written will, or some ‘final provisions’ from the mother to her newborn daughter, as if there and in that way she left instilled in the daughter’s mind the woman she should become, that she should come to be. Mary to Mary (original title) was written in the year 2000 and, according to Pedrero, is part of his desire to “create guerrilla theatre”. This creation by A Barraca won the Audience Award for Best Show at the Litoral Em Cena 2023 Festival.

    Actress, director and playwright, Paloma Pedrero (b. Madrid, 1957) was a co-founder in 1978 of the Cachivache group, for which she wrote several plays. In 1985 he founded his own company, Teatro del Alma, which was followed by the organization Caídos del Cielo, dedicated to supporting, through theatre, people at risk of social exclusion. Awarded for her play La llamada de Lauren in 1987, she has already written more than thirty plays, making her one of the most performed playwrights in Spain. Its debut in Portugal took pl